ART 1001 Foundations I

3 hours

Basic introduction to two-dimensional design emphasizing the structural elements of art, the principles of visual organization, and the psychological effects of visual decision making. Color theory, including schematic uses and historical and psychological aspects, will be explored along with the application of color mixing and color integration. There will be an introduction to the critical and analytical approaches to the visual arts.

ART 1002 Foundations II

3 hours

This course is the second half of an introduction to the structural elements of art. It examines the organizational principles of three dimensional design and the study of equipment and materials used in this area of art making. Emphasis is on three-dimensional vocabulary, understanding of sculptural space, the use of hand and power tools, materials manipulation, and processes related to three-dimensional art.

ARH 2030 Art from Prehistory to 1400

3 hours

GEN ED: Fine Arts Designation; Liberal Studies Experience

A global survey of art history focusing on the early visual artistic traditions of Europe, Asia, Africa and the Americas from the dawn of art to 1400. The course examines visual art and art making in religious, social, cultural, and political contexts.

PHO 2032 History of Photography

3 hours

GEN ED: Liberal Studies Experience

This course examines photography in a historical context from the beginning of the 19th Century to present. This comprehensive study of the technical and creative evolution of photography will feature historically significant photographers, their styles and corresponding historical events. Emphasis shall be placed on the evolution of photography in relation to developments in science, technology, society, the arts and politics.

ARH 2130 Art from 1400 to the Present

3 hours

GEN ED: Fine Arts Designation; Liberal Studies Experience

A global survey of art history from 1400 to the present examining the later artistic traditions of Europe, Asia, Africa, Oceania and the Americas. The course focuses on visual art and art making in light of changing social, political, religious, and cultural circumstances.

ARH Any other ARH Course

3 hours

PHO 1022 Photographic Imaging I

3 hours

An introductory course in digital photography which will cover technical information about cameras, lenses, printing, cataloging processes, image editing and workflow practices. Students will also learn the foundations of composition for various genres of photography. Students will need access to a DSLR camera. A limited number are available for loan through the program.

Prerequisite: Demonstrated Readiness for College-level Math.

PHO 2022 Photographic Imaging II

3 hours

A continuation of PHO 1022 - Photographic Imaging I (3) that covers advanced photographic processes and practices and will investigate control systems for exposure and development, the zone system, lighting, film processing, digital imaging processes and printing. Students will improve on their composition and photographic production values. Students will need access to a DSLR camera. A limited number are available for loan through the program.

Prerequisite: PHO 1022. Demonstrated Readiness for College-level Math.

PHO 2032 History of Photography

3 hours

GEN ED: Liberal Studies Experience

This course examines photography in a historical context from the beginning of the 19th Century to present. This comprehensive study of the technical and creative evolution of photography will feature historically significant photographers, their styles and corresponding historical events. Emphasis shall be placed on the evolution of photography in relation to developments in science, technology, society, the arts and politics.

PHO 2062 Survey of Photographic Careers

3 hours

This course will explore photographic careers and theoretical, critical, and professional concepts in contemporary photography. Topics may include, but are not limited to, how the roles of philosophy, art history, science, technology, literature, psychology, marketing, consumer trends and consumption are relevant to photography and the various genres within the field. Students will have the opportunity to broaden their understanding of these issues through readings, lectures, discussions, assignments, critiques, and presentations by professionals within the field.

Prerequisite: PHO 2022.

PHO 3003 Issues in Contemporary Photography

3 hours

This course will explore a variety of issues relevant to contemporary photographic practice. Photography shapes our worldview and this imbues the photographer with opportunity and responsibility. Through selected readings, case studies, writing assignments, and presentations, students will examine intersecting challenges affecting all photographic disciplines.

Prerequisite: PHO 1022

PHO 3042 Studio Photography

3 hours

An introductory course to studio photography that covers studio lighting for industrial/product and portrait photography.

Prerequisite: PHO 2022. (ND Prerequisite: passing the math placement test or successful completion of MAT 0010.)

PHO 2026 Film Photography

3 hours

This course is an introduction to black and white film photography. The course will cover the basic principles of film development and printing in the darkroom. Other possible topics include split filter printing, large format photography, color film processing, film scanning, and advanced darkroom techniques. Emphasis will be placed upon conceptual development as well as technical proficiency.

Prerequisites: PHO 1022, ART 1001, ART 1002.

A camera is required per the instructor's directions.

PHO 3050 Alternative Photographic Processes

3 hours

In this course, students will explore a group of techniques that were developed as photography evolved throughout the nineteenth and twentieth centuries. This group includes processes such as cyanotype, lumen printing, mordançage, wet-plate collodion, image transfers, lith printing, chromoskedasic sabatier, and many others. This course will be a survey of several of these techniques, as well as covering contact printing in the darkroom, editing skills, digital negatives, and conceptual development.

Prerequisites: ART 1001, ART 1002, PHO 1022, or permission of the instructor.

A camera is required per the instructor's directions.

PHO 3226 Concepts in Photography

3 hours

This course will be a continuation of the exploration of fine art photography form. Students will explore contemporary photographic practice through research, readings, and creative projects. Projects will expand to become more conceptually driven and personal, and students will begin to develop their vision.

Prerequisites: PHO 2026, or permission of the instructor.

A camera is required per instructor directions.

PHO 4326 Fine Art Photography Portfolio

3 hours

This course is designed to allow students to work at an advanced level in photography, to enhance the aesthetic, intellectual, and visual evolution of personal work, and to hone critical skills and awareness of historical and theoretical issues in the field.

Prerequisites: ART 1003, PHO 3050, and PHO 3226, or permission of instructor.

ART 3015 Sophomore/Junior Seminar

3 hours

GEN ED: Junior Writing in the Discipline (WID)

This hybrid theory/studio course will explore various strategies and approaches to art making with special focus on conducting research and cultivating writing skills specifically relevant to studio practice. It will provide an integrated introduction to the theory and practice of art making as it relates to the many institutions comprising the art world. This course will also explore various rationales and strategies for promoting and displaying art. Writing about the process of creating, displaying and articulating the meaning of one's own work and the work of others will be emphasized.

Prerequisites: BFA Studio Art Candidacy portfolio review and R C 2001 or its equivalent.

ART 3140 Professional Practice: Studio Art

3 hours

This course will provide students with the opportunity, support and direction to begin their professional lives. It focuses on considering the options available with an undergraduate degree in art, and on acquiring the practical skills and knowledge vital for a professional life in a creative field. Students will learn about the pragmatics of a creative career, and understand what steps to take toward that career. Appropriate for students in all Art Department degree tracks.

Prerequisite: junior or senior standing or permission of the instructor.

ART 4351 Senior Seminar

3 hours

Studio Seminar III prepares students for creating a coherent body of work in ART 4852 - Senior Studio (3). These two courses, taken in sequence, provide an opportunity for advanced students to demonstrate an emerging intellectual, visual and technical maturity in respect to their own work. Studio Seminar III includes planning and writing an exhibition proposal; reading relevant art criticism and theory; writing a research paper and documenting the progress of one's work through sketches, models, studio projects, and oral presentations. This course is an opportunity for students to articulate meaningful ideas and integrate them with studio practice.

Prerequisites: ART 3015 and completion of a minimum of 27 semester hours of studio electives.

Prerequisite or co-requisite: at least one of the following courses: ART 4300, ART 4301, ART 4307, ART 4308, ART 4309, ART 4325, ART 4326.

ART 4852 Senior Studio

3 hours

GEN ED: Capstone Experience

Senior Studio is the capstone studio experience for BFA Studio Art majors. This course carries on and brings to resolution the conceptual, technical and studio practices begun in Studio Seminar III. Students will demonstrate an emerging intellectual, visual and technical maturity by producing a body of work for exhibition. Students will also write process statements and deliver a series of oral presentations critically analyzing their works in progress. This course addresses issues relevant to becoming a professional artist. A committee of three faculty members will evaluate each student's work.

Prerequisite: ART 4351.

ART 1102 Introduction to Graphic Design

3 hours

This is an introductory level course for students entering the field of graphic design. It involves studio inquiry into the nature of visual communication. The course is structured to foster a personal approach to the design process and the ability to discuss design critically. Topics introduced in the course include typography, symbols, contemporary design practice and the relationship between designer, audience and message. Work produced in this course allows for the discovery of the language, creative problem-solving processes and technologies fundamental to graphic design.

Prerequisites: ART 1001 and ART 1003.

ART 2007 Clay I: Handbuilding

3 hours

An introduction to clay as a material and means of expression, with emphasis on the development of content with hand-formed objects. Consideration will be given to ceramic history in relation to contemporary practice. Students will develop critical and reflective thinking skills in relation to their studio production through research, writing, discussions and presentations.

Prerequisites: ART 1001 and ART 1002, or ART 1020 or ART 1021.

ART 2008 Fibers: Surface Design

3 hours

An introduction to a broad range of basic surface design processes, such as dyeing, block printing, and stitching, using predominantly non-toxic, naturally-derived pigments and dyes and recycled materials whenever possible. Emphasis is on the development of technical fibers skills with application to individual works of art, craft, and design. Studio six hours.

Prerequisites: ART 1001 and ART 1003, or ART 1020 or ART 1021.

ART 2009 Metalsmithing and Jewelry Design I: Fabrication

3 hours

This course will focus on processes for construction with nonferrous metals. Techniques will include basic fabrication, surface embellishment, forming and the creation of mechanisms.This course will focus on processes for construction with nonferrous metals. Techniques will include basic fabrication, surface embellishment, forming and the creation of mechanisms. Studio six hours.

Prerequisites: ART 1001 and ART 1002

ART 2016 Introduction to Studio Art and Design

3 hours

GEN ED: Fine Arts Designation; Liberal Studies Experience

An introductory exploration of contemporary studio art practice, with a specific thematic focus. Students will experiment with materials and techniques, complete research on visual/thematic topics, and document their developing ideas. Projects will introduce a variety of two dimensional, three dimensional, and time-based media. Sample themes include topics in culture, technology, history, sociology, and the environment.

Barring duplication of content, students not majoring in BFA Studio Art or BA in Art & Visual Culture with a concentration in Studio Art may repeat the course for a total credit of nine semester hours.

ART 2018 Papermaking

3 hours

An exploration of hand papermaking, including both two-dimensional and three-dimensional forms. Processes will include eastern- and western-style papermaking, harvested plant matter pulps, and recycled textile pulps. Emphasis is on critical thinking and development of technical skills with application to individual works of art, craft, and design Studio six hours.

Prerequisites: ART 1001 and ART 1002

ART 2019 Art for Social Change

3 hours

GEN ED: Fine Arts Designation; Integrative Learning Experience (Theme: "Revolutions: Social and Political")

This course combines an introductory studio course with an examination of the way in which art can contribute to social change. Studio assignments will involve students in the investigation, understanding and application of artistic methods and the principles of design while thematically exploring contemporary social issues. Lectures, class discussions and project critiques are geared to develop students' awareness of how art can address social issues.

ART 2025 Printmaking: Relief

3 hours

A general introduction to printmaking: its history, development, techniques, and processes. Various relief printmaking techniques will be explored such as woodcut, linocut, collagraph, and non-traditional methods. Using additive and reductive processes, students work in black and white and in color, learning the registration and printing of multiple matrices. Traditional, contemporary, and experimental approaches are encouraged.

Prerequisites: ART 1001 and ART 1003, or ART 1020 or ART 1021.

ART 2040 Clay I: Mold-Making and Casting

3 hours

An introduction to the materials and methods particular to the creative use of ceramic mold-making and casting. Students will develop critical and reflective thinking skills with regard to their studio production through research, writing, discussions and presentations. Focus will be on employing ceramic processes and firing methods relevant to content.

Prerequisites: ART 1001 and ART 1002, or ART 1020 or ART 1021.

ART 2050 Clay: Methods and Materials

3 hours

This course involves hands-on working experience with ceramic raw materials and the formulation of clay bodies and fired surfaces, with an emphasis on accurate testing and recording methods. Students are expected to assess and apply the results of this materials research to the conceptual development of their work.

Prerequisite or corequisite: any level I clay course (ART 2007, ART 2016 in clay, ART 2040, or ART 2107) or permission of the instructor.

ART 2100 Painting I

3 hours

An introduction to the principles of spatial organization and color interaction. Includes exploration of concept, materials and techniques, light, color, form, and space.

Prerequisites: ART 1001 and ART 1003, or ART 1020 or ART 1021.

ART 2101 Sculpture I: Casting

3 hours

An introduction to sculptural ideas and concepts developed through mold making as a means of producing three-dimensional work in multiples with an emphasis on material exploration. The course explores traditional and contemporary casting materials, and includes an introduction to the foundry and casting of aluminum and bronze. Studio six hours.

Prerequisites: ART 1001 and ART 1002, or ART 1020 or ART 1021.

ART 2104 Digital Imaging

3 hours

This course introduces the student to technical and aesthetic aspects of digital image manipulation for artists and designers.

Prerequisites: ART 1001 and ART 1003.

ART 2105 Design for Digital Fabrication

3 hours

This course will emphasize the importance of digital design and drawing skills to facilitate digital fabrication using 3D printing, laser cutting, and vinyl cutting. Students will be introduced to a variety of 3D modeling applications as they are used in art, design, engineering, documentation drawing, entertainment, and animation. This course provides the skills to accurately model and document designs that are ready for basic digital fabrication. Studio six hours.

Prerequisites: ART 1001 and ART 1002.

ART 2107 Clay I: Throwing

3 hours

An introduction to clay as a material, using the potter's wheel as a tool to generate form and express ideas. Technical skill and concept development will be emphasized. Students will develop critical and reflective thinking skills with regard to studio practice through research, writing, discussions and presentations.

Prerequisites: ART 1001 and ART 1002, or ART 1020 or ART 1021.

ART 2125 Printmaking: Screenprinting

3 hours

This course introduces photomechanical screenprinting processes and techniques to create original prints. There is an additional emphasis on color theory for printmaking as well as techniques for creating editions and experimental prints.

Prerequisites: ART 1001 and ART 1003, or ART 1020 or ART 1021.

ART 2201 Sculpture: Fabrication

3 hours

Sculptural concepts are introduced through various fabrication processes emphasizing metal and wood. Students will develop their work by exploring steel fabrication, welding, and advanced wood construction with an emphasis on how these techniques can enhance design, concept, and structural logistics in sculpture and across other disciplines. Studio six hours.

Prerequisites: ART 1001 and ART 1002, or ART 1020 or ART 1021.

ART 2302 Hand-Lettering

3 hours

An introduction to hand-lettering. Both monoline and edged-pen lettering styles are studied in their historical context. A range of styles and mediums will be studied, as well as applications of hand-lettering for artworks, design projects, and more.

Prerequisite: ART 1001 or permission of the instructor.

ART 2500 Independent Study

(1-4) hours

Majors in art may broaden and intensify their program through individual research and involvement in a given area of art.

Prerequisite: permission of the departmental chair.

ART 2602 Fibers: Weaving I

3 hours

An introduction to the weaving loom as an art-making tool, through basic weave structures, hand-manipulated weaves and weavedrafting. Emphasis is on the selection of materials, woven structures, and color theory as related to the development of individual works of art and design.

Prerequisites: ART 1001 and ART 1003, or ART 1020 or ART 1021.

ART 3007 Clay II: Handbuilding

3 hours

An in-depth exploration of processes and firing methods with hand-formed clay. Emphasis is on the development of conceptual skills and an individual approach. Structured and student-generated assignments will integrate technical skill with creative insight.

Prerequisites: ART 1001, ART 1002, ART 1003, and ART 2007. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3009 Metalsmithing and Jewelry Design II: Casting

3 hours

This course will introduce centrifugal casting, rubber mold making, advanced stone setting, repousse and chasing. Students will continue to develop and incorporate forming and fabrication skills. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2009. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3013 Introduction to New York/Washington Art Scene

1 hours

The ASU-NY Loft and/or the Appalachian House in Washington are bases from which visiting groups of students will experience the art museums and galleries in each city. Trips to these cities, organized by art faculty, allow students to gain one semester hour credit. Individual projects are assigned by the instructor leading each trip.

May be repeated for a total of three hours credit.

ART 3017 Fibers: Weaving II

3 hours

Further exploration of weaving as a technique for art-making. Emphasis is on the development of critical thinking and technical weaving skills with application to individual works of art and design. Includes integrations with other fibers processes and techniques.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2601 or ART 2602; Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3040 Clay II: Mold-Making and Casting

3 hours

An in-depth exploration of molds and casting to attain broader technical and conceptual skills in clay and mixed media. Coursework will include installation, site specific and collaborative endeavors. Structured and student-generated assignments will bridge technical awareness and creative insight.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2040. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3100 Painting II

3 hours

Further exploration of formal issues such as light, color and space. Additional examination of painting techniques, processes and materials. Emphasis is on more challenging, concept-driven assignments.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2100. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3103 Contemporary Issues in Advanced Drawing

3 hours

A further exploration of contemporary drawing practices, with a specific thematic focus. Students will use sketchbook development, material experimentation, and visual research to create an independent body of work. Class themes include the human figure, narrative and sequential art, illustration, process and abstraction, and digital drawing media. All classes will examine the cross-cultural development of drawing in art history, and students will also have the opportunity to explore a variety of contemporary aesthetic approaches. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2103. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 3107 Clay II: Throwing

3 hours

An in-depth exploration of wheel-thrown clay to attain broader technical and conceptual skills. Emphasis is on the development of critical thinking and an individual approach to materials and processes through structured and student-generated assignments which will bridge technical awareness and creative insight.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2107. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3109 Metalsmithing and Jewelry Design II: Metalforming

3 hours

This course will introduce the forming processes of raising, stretching, sinking and shell forming used in the creation of both traditional and nontraditional hollowware forms. In addition, students will continue to develop fabrication skills. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2009. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3110 Metalsmithing and Jewelry Design II: Digital Craft

3 hours

This course will introduce computer-aided design and rapid prototyping processes currently used in the field of digital fabrication. Students will design and create objects using CAD software and rapid prototyping machinery. In addition, students will continue to develop traditional techniques by adapting them to the CAD/CAM environment. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2009. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3111 Metalsmithing and Jewelry Design II: Enameling

3 hours

This course will introduce the processes of cloisonné, plique-a-jour and champlevé enameling. In addition, students will continue to develop traditional fabrication techniques, adapting and integrating them into their enameling designs. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and ART 2009. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3203 Carving

3 hours

This course explores making art work using the process of carving. Investigations into carving along with other reductive processes include traditional hand carving, turning, machining, etching, and digital techniques involving the laser cutter and the Shopbot CNC milling machine. Inquiries into the intersection of historic practices of carving to more contemporary concepts involving industry, digital technologies, and design are essential as students develop their own work exploring materials such as wood, stone, clay, and plastics. Emphasis is on critical thinking and development of technical skills with application to individual works of art, craft, and design. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and any studio art course at the 2000-level or higher. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Art Education, and BFA Graphic Design majors; or permission of instructor.

ART 3204 Kinetics

3 hours

This course explores making objects and experiences that suggest or enact movement. Classic ideas of kinetics will be investigated through basic mechanical movements as well as studies into digital and interactive technologies. Processes will also include investigations into motors and pumps, physical computing utilizing microprocessors and computers, and knowledge of basic analog and electric machinery as well as circuitry. Emphasis is on critical thinking and development of technical skills with application to individual works of art, craft, and design. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and any studio art course at the 2000-level or higher. A successful candidacy portfolio review is required for BFA Studio Art, BFA Art Education, and BFA Graphic Design majors; or permission of the instructor.

ART 3205 Installation

3 hours

Installation Art explores the merger of space and time with an emphasis on the relationship between place and the viewer. Focus is placed on understanding the historical context of Installation Art while students develop their own body of work. Students will explore site specificity with various materials and processes including video, new media, performance, and interactivity. Emphasis is on critical thinking and development of technical skills with application to individual works of art, craft, and design. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003 and any studio art course at the 2000-level or higher. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Art Education, and BFA Graphic Design majors; or permission of the instructor.

ART 3208 Fibers: Printed Textiles

3 hours

Exploration of printed textile materials and processes, such as screen-printing, repeat patterning, and digital printing. Emphasis is on critical thinking and development of technical skills with application to individual works of art, craft, and design. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003, ART 2008. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors. Or permission of the instructor.

ART 3210 Intermediate Drawing and Painting

3 hours

A further exploration of contemporary drawing and painting practices, with a specific thematic focus. Students will use sketchbook development, material experimentation, and visual research to create an independent body of artwork. Contemporary approaches to drawing and painting are emphasized. Development of students' personal artistic directions and styles is developed within a variety of technical and conceptual contexts is the central theme of course activity. Class themes include representational approaches to the human figure, narrative and sequential art, abstraction, digital media and extended forms of painting and drawing. All classes will examine the cross-cultural development of drawing and painting in art history. Studio six hours.

Prerequisites: ART 1001, ART 1002, ART 1003, ART 3100; candidacy portfolio review additionally required for BFA Studio Art, BFA Art Education, and BFA Graphic Design majors; or permission of the instructor.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 3308 Fibers: Structure

3 hours

An exploration of various three-dimensional fibers techniques, such as off-loom structural processes, paper forms and found materials. Emphasis is on critical thinking and development of technical skills with application to individual works of art and design.

Prerequisites: ART 1001, ART 1002 and ART 1003, and any studio art course at the 2000-level or higher. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3410 Book Arts

3 hours

This course investigates the potential of combining text and image using digital and photo-printmaking techniques to create artists' books with content. There is a secondary focus on mastering binding structures.

Prerequisites: ART 1001, ART 1002 and ART 1003. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

ART 3425 Printmaking Studio

3 hours

This course involves an in-depth exploration of printmaking practices with a specific thematic and/or technical focus. Various techniques in printmaking will be covered and may include or combine: intaglio, lithography, monotype, photo and digital processes. Themes may include topics such as sustainable printmaking, the political print and print-installation. This course will examine the development of printmaking throughout history and across cultures. Students will explore a variety of contemporary aesthetic approaches in printmaking. Barring duplication of content, a student may repeat the course for a total credit of 12 semester hours.

Prerequisites: ART 1001, ART 1002 and ART 1003. Additionally, a successful candidacy portfolio review is required for BFA Studio Art, BFA Graphic Design, or BFA Art Education majors; or permission of the instructor.

Barring duplication of content, a student may repeat the course for a total credit of 12 semester hours.

ART 3500 Independent Study

(1-4) hours

Majors in art may broaden and intensify their program through individual research and involvement in a given area of art.

Prerequisite: permission of the departmental chair.

ART 3520 Instructional Assistance

1 hours

A supervised experience in the instructional process on the university level through direct participation in a classroom situation.

Prerequisite: junior or senior standing.

May be repeated for a total credit of three semester hours.

Approved contract required.

ART 3521 Technical Assistant

1 hours

A supervised experience in which students will provide technical laboratory assistance in media-based studios and computer-related facilities.

Prerequisites: junior or senior standing and permission of the instructor.

May be repeated for a total credit of three semester hours.

ART 3522 Research Assistant

(1-3) hours

A supervised experience in which the student collaborates on a faculty member's project under the direction of the faculty member. A student may also undertake her/his own research if it is relevant to that of the faculty member.

Prerequisites: declared art major with junior or senior standing and permission of the instructor.

May be repeated for a total credit of six semester hours.

ART 3530 Selected Topics

1-4 hours

ART 3900 Internship

(1-6) hours

Supervised placement in a setting which provides an opportunity for students to observe and practice various art and design related skills. Supervision and evaluation by the site supervisor and the faculty member.

ART 4300 Special Topics in Advanced Painting and Drawing

3 hours

This is an advanced painting and drawing studio course designed to develop personal vision and critical thinking. Emphasis is on the evolution of formal practice and self-evaluation. Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

Prerequisites: ART 2100, ART 3100, and ART 3200 or ART 3103. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4301 Special Topics in Advanced Sculpture

3 hours

An advanced development of sculptural expression. The students will be expected to develop a personal approach to sculptural content and style as well as develop standards of critical judgment in the analysis of their own work.

Prerequisites: ART 2101 and ART 2201 and one of the following sculpture courses: ART 3201 or ART 3203 or ART 3204. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4307 Special Topics in Advanced Clay

3 hours

An advanced self-directed study with in-depth individual research, exploration and production with regard to materials, processes and concepts. Emphasis is on critical thinking. Students are expected to create a body of work that demonstrates their level of knowledge, skills and abilities acquired in studies to date.

Prerequisites: Two of the following Clay I courses: ART 2007, ART 2040, ART 2107; and one of the following Clay II courses: ART 3007, ART 3040, ART 3107. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4308 Special Topics in Advanced Fibers Studio

3 hours

A self-directed studio production course in fibers with additional research, presentations, and critiques with fibers faculty and other advanced students. The majority of goals and projects will be proposed by the students with the instructor's approval.

Prerequisites: Three of the following fibers courses: ART 2008, ART 2602, ART 3017, ART 3208, ART 3308. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4309 Special Topics in Advanced Metalsmithing and Jewelry Design

3 hours

A self-directed advanced course of study in which the student will develop a contract with the instructor that includes project descriptions, selected readings and deadlines. Critiques will take place in both group and individual settings.

Prerequisites: ART 2009 and two of the following courses: ART 3009, ART 3109, ART 3110, ART 3111. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4325 Special Topics in Advanced Printmaking

3 hours

This course continues the investigation of techniques and directions introduced in beginning level printmaking courses. Students are expected to refine technical competency through the development of a cohesive body of work that articulates an inventive and conceptual use of the printed image and a clear personal vision. Emphasis will be given to examining advanced processes and contemporary issues in printmaking.

Prerequisites: ART 2025, ART 2125 and ART 3425. Additionally, ART 3015 is required for BFA Studio Art majors.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4551 Studio Workshop

(1-3) hours

An intensive course to be offered in selected media such as drawing, printmaking, painting, photography, sculpture, ceramics, fibers, metals, digital media, and others.

Prerequisite: portfolio review or permission of the instructor.

Barring duplication of content, a student may repeat the course for a total credit of nine semester hours.

ART 4900 Internship: Field Experience

(1-12) hours

GEN ED: Capstone Experience

An on-the-job experience with artists, museums, galleries, and other businesses related to the promotion of professions in the arts and cultural sector.